{"id":12858,"date":"2024-05-15T15:28:22","date_gmt":"2024-05-15T13:28:22","guid":{"rendered":"https:\/\/www.chateau-vodou.com\/?p=12858"},"modified":"2024-06-26T16:43:08","modified_gmt":"2024-06-26T14:43:08","slug":"geled-maskeleri","status":"publish","type":"post","link":"https:\/\/www.chateau-vodou.com\/tr\/les-masques-gelede\/","title":{"rendered":"G\u00e8l\u00e8d\u00e8 maskeleri"},"content":{"rendered":"
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G\u00e8l\u00e8d\u00e8 ve k\u00f6kenleri<\/h3>\n

Biraz tarih\u2026<\/h3>\n

G\u00e8l\u00e8d\u00e8 t\u00f6renleri gelene\u011fi, 18. y\u00fczy\u0131lda Benin'in do\u011fusunda, daha kesin olarak K\u00e9tou b\u00f6lgesinde ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Bu gelenek, Nijerya'daki Yoruba ve Nago halklar\u0131 ile Togo ve Benin'de de g\u00f6r\u00fclmektedir.
G\u00e8l\u00e8d\u00e8\u2019nin do\u011fu\u015funa zemin haz\u0131rlayan Yoruba maneviyat\u0131nda, kad\u0131nlar iki y\u00f6nl\u00fc g\u00fc\u00e7lere sahiptir. Bunlardan biri, hayat ve bilgelik kayna\u011f\u0131 olmalar\u0131 bak\u0131m\u0131ndan olumludur; di\u011feri ise kurakl\u0131k veya salg\u0131n hastal\u0131klar gibi felaketlerin sorumlusu olmalar\u0131 bak\u0131m\u0131ndan olumsuzdur. G\u00e8l\u00e8d\u00e8, Iyas'\u0131n, yani "Anneler"in do\u011fa\u00fcst\u00fc ve mistik yeteneklerine adanm\u0131\u015f bir k\u00fclt olarak kabul edilir; onlardan korunmakla birlikte, onlar\u0131 yat\u0131\u015ft\u0131rmak da gereklidir. B\u00f6ylece, onlar\u0131n g\u00fc\u00e7lerinin toplum i\u00e7in yararl\u0131 bir g\u00fcce d\u00f6n\u00fc\u015fmesi sa\u011flan\u0131r. G\u00e8l\u00e8d\u00e8'de kad\u0131nlara \u00f6zel g\u00f6revler, yaln\u0131zca kad\u0131nlar\u0131n ger\u00e7ekle\u015ftirebilece\u011fi baz\u0131 gizli rit\u00fceller etraf\u0131nda \u015fekillenir.
Ancak kad\u0131nlar\u0131n bu rol\u00fcne baz\u0131 n\u00fcanslar eklemek gerekir: G\u00e8l\u00e8d\u00e8 t\u00f6renlerinde kad\u0131nlar kendi kuma\u015flar\u0131ndan bir k\u0131sm\u0131n\u0131 \u00f6d\u00fcn\u00e7 verseler de, t\u00fcm Yoruba maskeleri erkekler taraf\u0131ndan tak\u0131l\u0131r ve kost\u00fcmler de yine erkekler taraf\u0131ndan dikilir. Ayn\u0131 \u015fekilde, ba\u015f s\u00fcslerinin oyulmas\u0131 ve \u015fark\u0131lar\u0131n bestelenmesi de erkeklerin g\u00f6revidir.
G\u00e8l\u00e8d\u00e8 kost\u00fcm\u00fc, bir araya gelerek maskeyi olu\u015fturan \u00e7e\u015fitli unsurlardan olu\u015fur: kafaya oyulmu\u015f bir tahta par\u00e7a tak\u0131l\u0131rken, y\u00fcz ve v\u00fccut kuma\u015flardan olu\u015fan bir d\u00fczenekle s\u00fcslenir; ayak bilekleri ise \u00e7\u0131ng\u0131rakl\u0131 bileziklerle s\u00fcslenir ve ayaklar\u0131 korumak i\u00e7in b\u00fcy\u00fck terlikler giyilir.<\/p>\n

Bununla birlikte, farkl\u0131 derecelerde ve \u00e7e\u015fitli y\u00f6nlerden, kendine \u00f6zg\u00fc i\u015flevler \u00fcstlenerek, kad\u0131nlar\u0131n varl\u0131\u011f\u0131 hayati ve etkilidir. \u00d6ncelikle, t\u00f6ren s\u0131ras\u0131nda \u00e7al\u0131nan perk\u00fcsyon aletlerinin \u00fczerine oyulmu\u015f ku\u015f fig\u00fcrleri ve dans\u00e7\u0131lar\u0131n takt\u0131\u011f\u0131 baz\u0131 ah\u015fap s\u00fcslemelerde g\u00f6r\u00fcl\u00fcr. Annelerin geceleri bu hayvan\u0131n \u015fekline b\u00fcr\u00fcnerek bir araya geldi\u011fi s\u00f6ylenir.<\/p>

Hakk\u0131nda daha fazla bilgi edinin\u2019Vodou tarihi<\/a>.<\/p>\n

\n<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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G\u00e8l\u00e8d\u00e8 t\u00f6renlerinin i\u015flevi<\/h3>


G\u00e8l\u00e8d\u00e8 t\u00f6renleri hangi durumlarda d\u00fczenlenir?<\/strong><\/p>


Maskelerin ortaya \u00e7\u0131kar\u0131lmas\u0131, ailevi veya bireysel sorunlar\u0131 (hastal\u0131k, k\u0131s\u0131rl\u0131k, lanet, \u00f6l\u00fcm\u2026) \u00e7\u00f6zmek i\u00e7in, t\u00fcm toplumu etkileyen durumlarda (do\u011fal afet veya salg\u0131n) ya da d\u00fc\u011f\u00fcn veya tahta \u00e7\u0131k\u0131\u015f t\u00f6reni gibi \u00f6nemli olaylar s\u0131ras\u0131nda kararla\u015ft\u0131r\u0131labilir. Bu durumda rit\u00fcel, ar\u0131nd\u0131r\u0131c\u0131 bir i\u015flev g\u00f6r\u00fcr.<\/p>

Ailelerin en ya\u015fl\u0131 \u00fcyeleri, erkekler ve kad\u0131nlar, Babalawo arac\u0131l\u0131\u011f\u0131yla Ifa kehanetine ba\u015fvururlar: Babalawo, hangi G\u00e8l\u00e8d\u00e8 toplulu\u011funun davet edilece\u011fini belirtir ve t\u00f6ren i\u00e7in haz\u0131rlanacak yiyecekleri belirler.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Her G\u00e8l\u00e8d\u00e8 ayininin ba\u015f\u0131nda, tanr\u0131\u00e7a Iyala'ya hizmet eden ya\u015fl\u0131 ve g\u00fc\u00e7l\u00fc bir aile reisi olan Iyalash\u00e8 bulunur. T\u00f6renin \u00f6ncesinde, grubun kutsanmas\u0131 s\u0131ras\u0131nda, Babalawo'nun \u00f6nerdi\u011fi yiyecekleri cemaate da\u011f\u0131t\u0131r. Ard\u0131ndan yerel tanr\u0131ya ve atalara y\u00f6nelik dualar\u0131 o ba\u015flat\u0131r; tabii ki gece t\u00f6reninde yat\u0131\u015ft\u0131r\u0131lmas\u0131 gereken Iya'lar\u0131 da unutmaz! Bu dualar daha sonra boyal\u0131 maskelerin lideri Babalash\u00e8 taraf\u0131ndan tekrarlan\u0131r.
Yoruba toplumu gibi agnatik bir toplumda, ya\u015fl\u0131lar\u0131n \u00f6nemli bir sorumlulu\u011fu vard\u0131r: \u015eark\u0131 ustas\u0131yla birlikte bestelenecek par\u00e7alar\u0131 se\u00e7erler. Bu \u015fark\u0131lar, t\u00f6renin gerek\u00e7elerini a\u00e7\u0131klayarak Anneleri etkileme g\u00fcc\u00fcne sahip olduklar\u0131 i\u00e7in birinci derecede \u00f6nemli bir role sahiptir. Ya\u015fl\u0131lar ayr\u0131ca kost\u00fcmlerin i\u015flevi ve maskelerin kalitesi konusunda da karar verirler. Bununla birlikte, ah\u015fap s\u00fcslemelerin yap\u0131m\u0131ndan sorumlu heykelt\u0131ra\u015f, yarat\u0131m s\u00fcrecinde \u00f6nemli bir \u00f6zg\u00fcrl\u00fck sahibidir.
Benin ve Nijerya\u2019n\u0131n bir\u00e7ok b\u00f6lgesinde, G\u00e8l\u00e8d\u00e8\u2019ler geleneksel otoritelere haber vermeden d\u0131\u015far\u0131 \u00e7\u0131kamazlar. Bu otoriteler, kehanet ama\u00e7l\u0131 olarak bu rit\u00fceli ba\u015flatabilirler. Bu t\u00fcr etkinlikler, \u015f\u00fcphesiz g\u00fc\u00e7l\u00fc sosyal etkileri nedeniyle, \u00e7o\u011funlukla yerel geleneksel iktidara ve siyasi iradeye ba\u011fl\u0131d\u0131r.
Geleneksel t\u00f6renlerin yan\u0131 s\u0131ra, maske topluluklar\u0131 davet \u00fczerine, \u015fark\u0131 ve danslar\u0131n\u0131n \u00f6nceden belirlenmi\u015f oldu\u011fu kamuya a\u00e7\u0131k etkinliklere ve kutlamalara kat\u0131lma imk\u00e2n\u0131na sahiptir. Bu performanslar \u00fccretsiz de\u011fildir ve \u00fccret \u00f6denir. Genellikle siyasi gruplar ve dernekler bu t\u00fcr kat\u0131l\u0131mlar i\u00e7in talepte bulunurlar. \u015eark\u0131 ve danslar\u0131n kalitesi, \u00f6rne\u011fin bir siyasi mitingde milletvekili aday\u0131n\u0131 desteklemeye gelen izleyicileri etkileyebilir.<\/p>

Kathia-Myriam Borth-Arnold<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Yoruba halk\u0131<\/h3>

Yoruba terimi, Bat\u0131 Afrika\u2019n\u0131n \u00e7e\u015fitli b\u00f6lgelerinde, \u00f6zellikle de Nijer Deltas\u0131\u2019n\u0131n bat\u0131s\u0131nda yo\u011funla\u015fan ve karma\u015f\u0131k bir yap\u0131ya sahip, birka\u00e7 milyonluk bir topluluklar b\u00fct\u00fcn\u00fcn\u00fc ifade eder. Bu topluluklar\u0131n en b\u00fcy\u00fck k\u0131sm\u0131 Nijerya'da ya\u015famaktad\u0131r ve bu \u00fclkede Bat\u0131 Afrika'n\u0131n en \u00f6nemli kentsel medeniyetini olu\u015fturmaktad\u0131rlar. "Yoruba" ad\u0131, 1828 y\u0131l\u0131nda Benin K\u00f6rfezi'ndeki ke\u015fif gezisinden d\u00f6nen \u0130sko\u00e7 ka\u015fif Hugh Clapperton taraf\u0131ndan bu halklara verilmi\u015ftir.<\/p>

Di\u011fer bir\u00e7ok Afrika halk\u0131n\u0131n aksine, Yoruba halk\u0131 \u00e7ok erken bir d\u00f6nemde kentsel bir medeniyet kurmu\u015ftur. Nijerya'daki If\u00e9-If\u00e9 \u015fehri, bu halklar\u0131n ana kenti olarak \u00f6ne \u00e7\u0131kmaktad\u0131r, \u00e7\u00fcnk\u00fc Yoruba gelene\u011fine g\u00f6re ilk insan\u0131n ortaya \u00e7\u0131kt\u0131\u011f\u0131 yer buras\u0131d\u0131r. Yorubalar \u015fehir devletleri halinde bir araya gelmi\u015flerdir.<\/p>

Yoruba k\u00fclt\u00fcr\u00fcn\u00fcn en \u00f6nemli tezah\u00fcr\u00fc, dil ve \u015fim\u015fek ve g\u00f6k g\u00fcr\u00fclt\u00fcs\u00fcn\u00fcn tanr\u0131s\u0131 Shango gibi Orisha olarak da adland\u0131r\u0131lan tanr\u0131lara tap\u0131nmad\u0131r. Bu nedenle, Yoruba toplumlar\u0131 esasen kat\u0131 bir hiyerar\u015fiye sahip dini yap\u0131lar\u0131yla karakterize edilir.<\/p>

Bu k\u00fclt\u00fcr alanlar\u0131n\u0131n dini niteli\u011fi, di\u011fer unsurlar\u0131n yan\u0131 s\u0131ra, Bat\u0131 Afrika\u2019daki modern Afrika toplumlar\u0131nda h\u00e2l\u00e2 derin k\u00f6kleri bulunan kutsal bir atalardan kalma gelenek olan maske rit\u00fcelleri arac\u0131l\u0131\u011f\u0131yla ortaya \u00e7\u0131kmaktad\u0131r. Yoruba dini miras\u0131nda en az yedi maske toplulu\u011fu bulunmaktad\u0131r. Ancak, t\u00fcm Yoruba topluluklar\u0131 ayn\u0131 maske topluluklar\u0131na sahip de\u011fildir. G\u00e8l\u00e8d\u00e8 ve Egungun en yayg\u0131n geleneklerdir. Ayr\u0131ca, bu geleneklerin t\u00fcm Yoruba k\u00fclt\u00fcr alanlar\u0131n\u0131 kapsamad\u0131\u011f\u0131n\u0131 da belirtmek gerekir. Sonu\u00e7 olarak, bu \u00f6zg\u00fcn manevi tezah\u00fcrler, Yoruba halk\u0131n\u0131n gelene\u011fine ve bilincine k\u00f6k salm\u0131\u015f k\u00fclt\u00fcrel dinamizmi yans\u0131tmaktad\u0131r.<\/p>

Elise Matt Gehringer<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00c7e\u015fitli d\u00f6nemlerde G\u00e8l\u00e8d\u00e8<\/h3>

G\u00e8l\u00e8d\u00e8 gelene\u011fi, toplumsal de\u011fi\u015fimlere paralel olarak \u015fekillenmi\u015ftir. 19. y\u00fczy\u0131ldan itibaren \u0130slam ve Hristiyanl\u0131\u011f\u0131n yay\u0131lmas\u0131, maske topluluklar\u0131n\u0131n zay\u0131flamas\u0131na yol a\u00e7m\u0131\u015ft\u0131r. Topluluklar i\u00e7in bir g\u00f6steri olmas\u0131n\u0131n yan\u0131 s\u0131ra etkili bir uyum arac\u0131 ve bir ar\u0131nma arac\u0131 olan G\u00e8l\u00e8d\u00e8, bir ara durumda kalm\u0131\u015ft\u0131r: bug\u00fcn, rit\u00fcellerin s\u0131radanla\u015fmas\u0131 ile \u00e7a\u011fda\u015f sorunlara ba\u011fl\u0131 de\u011fi\u015fim aras\u0131nda gidip gelmektedir.<\/p>

Eskiden her \u015feyden \u00f6nce Annelerin \u00f6fkesini yat\u0131\u015ft\u0131rmak ama\u00e7lan\u0131rken, g\u00fcn\u00fcm\u00fczde G\u00e8l\u00e8d\u00e8 \u00f6rne\u011fin sa\u011fl\u0131k alan\u0131nda \u00f6nleme \u00e7al\u0131\u015fmalar\u0131 yapmak ve halk\u0131 bilgilendirmek i\u00e7in kullan\u0131l\u0131yor. G\u00e8l\u00e8d\u00e8 uyum sa\u011fl\u0131yor. Baz\u0131 g\u00f6zlemciler, ibadet kurallar\u0131na art\u0131k gerekti\u011fi gibi uyulmad\u0131\u011f\u0131 i\u00e7in bu gelene\u011fin tamamen kutsall\u0131\u011f\u0131n\u0131 yitirdi\u011fini bile d\u00fc\u015f\u00fcn\u00fcyor. \u0130lahiler eski ihti\u015fam\u0131n\u0131 yitirmi\u015f durumda ve manast\u0131rlar aras\u0131nda \u015fan ve \u015f\u00f6hret i\u00e7in yar\u0131\u015fmalar d\u00fczenleniyor.<\/p>

Ancak geleneksel kriterlerdeki bu esneklik, daha \u00f6zg\u00fcr bir sanatsal yarat\u0131c\u0131l\u0131\u011f\u0131n ortaya \u00e7\u0131kmas\u0131n\u0131 sa\u011flad\u0131. Maske heykelt\u0131ra\u015flar\u0131,<\/p><\/div><\/div><\/div>

21<\/p><\/div><\/div>

yasaklar\u0131 a\u015farak, yeni renkler ve desenler kullanarak \u00e7a\u011fda\u015f yarat\u0131c\u0131l\u0131\u011f\u0131 zirveye ta\u015f\u0131yorlar.<\/p>

Tarihsel olarak Annelerin g\u00fcc\u00fcn\u00fcn ta\u015f\u0131y\u0131c\u0131lar\u0131 olan G\u00e8l\u00e8d\u00e8, sanat tarihi, geleneksel iktidarlar\u0131n analizi, toplumsal meselelerin evrimi gibi pek \u00e7ok alanda bizi \u015fa\u015f\u0131rtmaya ve sorgulamaya devam edecek\u2026<\/p><\/div><\/div>

Adeline Beck\u00a0<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Birka\u00e7 e\u015fya<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u0130kizlerin kar\u0131n maskesini takan G\u00e8l\u00e8d\u00e8<\/strong><\/h5>

Ah\u015fap, ipler ve sentetik boyalar\u00a0<\/p>

26 x 28 x 170 cm
No. Envanter 1405<\/p>


G\u00f6\u011f\u00fcs s\u00fcsleri, G\u00e8l\u00e8d\u00e8'nin kad\u0131nl\u0131\u011f\u0131n\u0131 vurgulayan \u00e7e\u015fitli unsurlar (sahte g\u00f6\u011f\u00fcsler, \u00e7\u0131k\u0131nt\u0131l\u0131 kar\u0131n, ikizler, s\u0131rtta ta\u015f\u0131nan \u00e7ocuk...) i\u00e7erir. Bu g\u00f6\u011f\u00fcs s\u00fcs\u00fc, ikizlerin do\u011fumunu temsil eder. Yar\u0131 tanr\u0131lar olarak g\u00f6r\u00fclen ikizler, zenginli\u011fin sembol\u00fcd\u00fcr.
Kuma\u015ftan bir ba\u015fl\u0131k takm\u0131\u015f oyulmu\u015f bir ba\u015f ve g\u00f6\u011fs\u00fc belirgin, iki \u00e7ocu\u011fu bir pe\u015ftamalla saran bir g\u00f6\u011f\u00fcs sarg\u0131s\u0131ndan olu\u015fan \u00e7ok renkli maske.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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G\u00e8l\u00e8d\u00e8<\/strong><\/h5>

Ah\u015fap, \u00e7ivi, ip ve sentetik boya pigmentleri
23 x 22 x 58 cm<\/p>

No. Envanter 1110<\/p>

Bu, geceleri ortaya \u00e7\u0131kan bir maske. Bu sahne, \u00abhepimiz bir g\u00fcn \u00f6lece\u011fiz\u00bb anlam\u0131na geliyor.<\/p>

Ah\u015fap bir kafadan olu\u015fan, eklemli, \u00e7ok renkli bir maske; maskenin \u00fcst\u00fcnde ye\u015fil bir platform bulunmakta ve bu platformda iki fig\u00fcr, beyaz kefene sar\u0131lm\u0131\u015f bir cesedi tabutunun i\u00e7inde tutmaktad\u0131r. Soldaki ilk karakter, ye\u015fil pantolon giymi\u015f, tabutu tutuyor ve ah\u015fap bir sandalyenin arkas\u0131nda duruyor. Sa\u011fda, ona benzeyen bir karakter tek eliyle tabutu tutuyor.<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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G\u00e8l\u00e8d\u00e8 Agba'n\u0131n etkisi<\/h5>

Ah\u015fap ve sentetik pigmentler 30 x 30 x 30 cm
No. Envanter 1515<\/p>


G\u00e8l\u00e8d\u00e8 Agba \u00e9f\u00e8 maskesi, b\u00fcy\u00fck haberci maskesi ve
Iyas\u2019lar\u0131n (annelerin) mesaj\u0131n\u0131 iletmek \u00fczere konu\u015fmaya yetkili tek ki\u015fi. Bu bir maskedir
Iya\u2019n\u0131n b\u00fcy\u00fck maskesi t\u00f6rene \u00e7\u0131kmazsa ortaya \u00e7\u0131kan gece maskesi; \u00fcstelik en son o \u00e7\u0131kar.
Zengin renkli bu maske, ne\u015feli bir ifadeye sahip, sar\u0131 renkte boyanm\u0131\u015f, \u00e7enesi ve dudaklar\u0131 belirgin bir kad\u0131n y\u00fcz\u00fcn\u00fc tasvir etmektedir. Her iki yan\u0131nda \u00fc\u00e7er adet yara izi bulunmakta ve g\u00f6zleri badem \u015feklindedir. Maskenin \u00fcst k\u0131sm\u0131nda, d\u00f6rt bal\u0131k ve bir ku\u015ftan olu\u015fan a\u011f\u0131r bir hayvan fig\u00fcr\u00fc yer almaktad\u0131r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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