{"id":5789,"date":"2020-11-19T10:56:41","date_gmt":"2020-11-19T09:56:41","guid":{"rendered":"https:\/\/www.chateau-vodou.com\/?page_id=5789"},"modified":"2020-11-19T18:07:40","modified_gmt":"2020-11-19T17:07:40","slug":"vodou-au-feminin-2018","status":"publish","type":"page","link":"https:\/\/www.chateau-vodou.com\/tr\/vodou-au-feminin-2018\/","title":{"rendered":"Vodou au F\u00e9minin – 2018"},"content":{"rendered":"
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Vodou au F\u00e9minin, des mythes originels aux femmes d'aujourd'hui en Afrique de l'Ouest<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Les femmes sont des actrices incontournables de l\u2019histoire de l\u2019Afrique de l\u2019Ouest. Elles ont inspir\u00e9 de nombreux mythes et l\u00e9gendes. Leur r\u00f4le a \u00e9t\u00e9, et reste, d\u00e9cisif dans le fonctionnement de la soci\u00e9t\u00e9 vodou. Dans les pays du vodou, la femme est consid\u00e9r\u00e9e comme le vecteur de transmission de la tradition spirituelle. Elle a le r\u00f4le de m\u00e9moire et celui d’organiser la soci\u00e9t\u00e9, la famille.<\/p>

Elle est \u00e9galement l’un des piliers de la vie religieuse et culturelle. Les jeunes filles sont recrut\u00e9es d\u00e8s leur plus jeune \u00e2ge pour devenir des pr\u00eatresses, charg\u00e9es d’honorer les divinit\u00e9s vodou. D’autres femmes sont rassembl\u00e9es en soci\u00e9t\u00e9s secr\u00e8tes et charg\u00e9es d’organiser les rituels et sorties de masques (grands personnages costum\u00e9s).<\/p>

L’histoire des guerri\u00e8res du royaume du Dahomey, qui impressionna tant les europ\u00e9ens, demeure exemplaire pour t\u00e9moigner de l’importance attribu\u00e9e aux femmes dans la d\u00e9fense du territoire. Enfin, le r\u00f4le des femmes en tant que m\u00e8res est fondamental. Lors d’une naissance, c’est la maman qui se met en contact avec le bokono, le \u00ab\u00a0devin\u00a0\u00bb vodou, pour r\u00e9aliser les rituels n\u00e9cessaires \u00e0 la protection du nouveau n\u00e9.
Cependant, malgr\u00e9 des r\u00f4les tr\u00e8s importants dans la tradition vodou, l’ambigu\u00eft\u00e9 et l’ambivalence sont deux notions qui restent omnipr\u00e9sentes dans la repr\u00e9sentation de la femme et la place qui lui est r\u00e9ellement donn\u00e9e. Dans la statuaire, la femme est souvent mise en valeur, transcend\u00e9e. Alors que dans les r\u00e9cits, les contes, elle est d\u00e9crite plus n\u00e9gativement comme destructrice, possessive et dangereuse. Elle est souvent d\u00e9sign\u00e9e comme la source des malheurs et notamment des infortunes des hommes …<\/p>

Cette ambivalence se retrouve bien entendu chez les d\u00e9it\u00e9s f\u00e9minines, dans leurs caract\u00e9ristiques et leurs attributs. \u00ab\u00a0Mami Wata\u00a0\u00bb repr\u00e9sente la m\u00e8re nourrici\u00e8re, mais \u00e9galement les oc\u00e9ans et leur puissance destructrice. Les \u00ab\u00a0G\u00e8l\u00e8d\u00e9s\u00a0\u00bb incarnent la force protectrice et cr\u00e9atrice de la vie et sont cependant aussi responsables de la st\u00e9rilit\u00e9 …<\/p>

Au travers de nombreuses \u0153uvres sorties des r\u00e9serves du mus\u00e9e, de textes, de projections, de conf\u00e9rences, il sera possible de d\u00e9couvrir les \u00e9tapes de la vie d’une femme au Dahomey ainsi que les caract\u00e8res et les sp\u00e9cificit\u00e9s des divinit\u00e9s f\u00e9minines du panth\u00e9on vodou.<\/p>

Adeline Beck, commissaire et administratrice<\/p>

\u00a0<\/p>

L\u2019\u00e9quipe :<\/strong>
Recherches scientifiques, r\u00e9daction des textes, partenariats, communication : Jean-Yves An\u00e9zo, Marc et Marie Luce Arbogast, Anne Bucher, Louise Flouquet, K\u00e9fil Houssou, Denis Leroy, M\u00e9gane Liguori.
Collaboration \u00e0 la sc\u00e9nographie : Mireille Kintz, S\u00e9bastien Furderer.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAcheter le catalogue de l'exposition<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLa f\u00e9minit\u00e9 : la maternit\u00e9 et les jumeaux\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tIntroduction\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLes mamissi : pr\u00eatresses mami wata\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tMami Wata divinit\u00e9 des oc\u00e9ans\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLes tron et tronsi, pr\u00eatresses de tron\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLa naissance et la mort\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tL'exposition temporaire d\u00e9di\u00e9e aux femmes et divinit\u00e9s f\u00e9minines\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tIntroduction - Le mythe Iyami, la naissance du monde<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tII. Les divinit\u00e9s f\u00e9minines et leurs ambivalences<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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\"\"<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Le programme autour de l'exposition<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tLes conf\u00e9rences autour de cette exposition<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Vodou au F\u00e9minin, des mythes originels aux femmes d’aujourd’hui en Afrique de l’Ouest Les femmes sont des actrices incontournables de l\u2019histoire de l\u2019Afrique de l\u2019Ouest. 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