{"id":12276,"date":"2024-01-17T16:03:28","date_gmt":"2024-01-17T15:03:28","guid":{"rendered":"https:\/\/www.chateau-vodou.com\/?p=12276"},"modified":"2025-04-29T12:10:37","modified_gmt":"2025-04-29T10:10:37","slug":"visite-guidees-de-lexposition-tresor-vodoun","status":"publish","type":"post","link":"https:\/\/www.chateau-vodou.com\/en\/visite-guidees-de-lexposition-tresor-vodoun\/","title":{"rendered":"Guided tours of the \u00abVodou Treasure\u00bb exhibition\u00bb"},"content":{"rendered":"
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VISITES GUIDEES DE L\u2019EXPOSITION TEMPORAIRE<\/h4>\n

Suivez l\u2019un de nos guides au travers de l\u2019exposition \u00ab TR\u00c9SOR VODOUN, Au c\u0153ur des arts sacr\u00e9s d\u2019Afrique \u00bb pour un moment exceptionnel et intime avec nos \u0153uvres les plus fascinantes.<\/p>\n

Le Ch\u00e2teau Mus\u00e9e Vodou de Strasbourg c\u00e9l\u00e8bre ses dix ans d’existence avec une exposition temporaire exceptionnelle, mettant en lumi\u00e8re les tr\u00e9sors de sa collection. Guid\u00e9e par le d\u00e9sir d’exposer l’essence et la richesse de l’art vodou, la s\u00e9lection d’\u0153uvres refl\u00e8te la plasticit\u00e9 remarquable des artefacts, tout en respectant leur profonde signification sacr\u00e9e.<\/p>\n

LES DATES <\/strong><\/p>

12\/01\/25 \u00e0 14h30
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23\/03\/25 \u00e0 11H<\/strong><\/p>\n

 <\/strong><\/p>\n

 <\/strong>Tarif : 14 \u20ac  – <\/span>Dur\u00e9e : 1H<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Introduction<\/h4>

\u00ab L\u00e0 o\u00f9 les yeux ne peuvent aller, l\u00e0 o\u00f9 les oreilles ne peuvent entendre, le c\u0153ur, lui, s’y rend. \u00bb – Proverbe b\u00e9ninois.<\/p>

C\u2019est avec le c\u0153ur que Marc et Marie-Luce Arbogast ont fond\u00e9 une \u0153uvre exceptionnelle : le Ch\u00e2teau Vodou de Strasbourg.<\/p>

Durant des ann\u00e9es, et avec beaucoup d\u2019\u00e9nergie, ils ont rassembl\u00e9, prot\u00e9g\u00e9 puis valoris\u00e9, au sein d\u2019un mus\u00e9e, en Alsace, la plus grande collection vodou ouest-africaine au monde.
C\u2019est aussi avec nos c\u0153urs que nous avons r\u00e9alis\u00e9 une s\u00e9lection des pi\u00e8ces les plus fascinantes de la collection.<\/p>

D\u00e9fi ardu (et subjectif) que l\u2019\u00e9quipe s\u2019est lanc\u00e9 pour l\u2019exposition des 10 ans du Ch\u00e2teau Vodou. Le sacr\u00e9, l\u2019art et la science s\u2019interpellent et se juxtaposent en continu dans le vodoun\/vodou.<\/p>

Comment effectuer un choix parmi 1400 objets ?<\/p>

Fallait-il \u00e9tablir un \u00e9chantillon repr\u00e9sentatif des artefacts les plus importants dans le culte ? Choisir sur des crit\u00e8res esth\u00e9tiques\/artistiques ? Nous laisser convaincre par les \u00e9motions qu\u2019ils provoquent en nous ? Opter pour ce qui nous \u00e9voque le plus le mot \u00ab tr\u00e9sor \u00bb ?<\/p>

S\u2019en sont suivis des d\u00e9bats enflamm\u00e9s et jamais clos autour des questions qui s\u2019imbriquent autour de la collection : souhaitions-nous une exposition avec un \u00e9clairage \u00ab anthropologique \u00bb ? Quelles limites devions-nous fixer face aux tabous du sacr\u00e9 ? Et notre tentation de toujours tout rationaliser est-elle in\u00e9luctable dans nos m\u00e9tiers ? Comment d\u00e9finir \u00ab l\u2019art africain \u00bb sans entrer dans une construction occidentale ? Exposer est-ce fatalement installer l\u2019objet dans un statut d\u2019\u0153uvre d\u2019art ?<\/p>

Les pi\u00e8ces vodou ont une esth\u00e9tique saisissante, surprenante. Leur plasticit\u00e9 complexe rend l\u2019analyse p\u00e9rilleuse, m\u00eame pour les plus grands sp\u00e9cialistes. La tentation existe, lorsqu\u2019on les scrute et que leurs formes entrent en r\u00e9sonance avec notre intime, de les qualifier d\u2019\u0153uvres d\u2019art. Et pourtant\u2026 ce concept n\u2019est pas celui qui a guid\u00e9 leur cr\u00e9ation. L\u2019appr\u00e9ciation des cr\u00e9ations culturelles de l\u2019Afrique est un int\u00e9r\u00eat r\u00e9cent, li\u00e9 \u00e0 certains artistes et collectionneurs du d\u00e9but du XXe si\u00e8cle. Con\u00e7ues dans un but utilitaire, incorpor\u00e9s au religieux, leur vocation artistique ne peut \u00eatre d\u00e9contextualis\u00e9e.<\/p>

La plupart des objets pr\u00e9sent\u00e9s appartiennent au domaine intangible, inviolable du sacr\u00e9. Ils ont pour vocation de ma\u00eetriser le chaos, d\u2019emp\u00eacher le pire, la maladie, la mort, le malheur.<\/p>

Leur force vitale, leur puissance, est le r\u00e9sultat de longs processus, de nombreux ingr\u00e9dients, de diverses invocations. \u00c0 cette fin, les hounon traversent des fronti\u00e8res pour communiquer avec l\u2019invisible. Ils transgressent les r\u00e8gles de la soci\u00e9t\u00e9 pour maintenir ce fragile \u00e9quilibre entre l\u2019ordre et le d\u00e9sordre. Ainsi, tout comme le religieux suscite \u00e9blouissement ou effroi, incompr\u00e9hensions et peurs, les objets vodou refl\u00e8tent, dans leur apparence, dans leurs mimiques, ces \u00e9motions.<\/p>

Sans s\u2019arr\u00eater sur une d\u00e9finition du sacr\u00e9, cette r\u00e9alit\u00e9 tout autant subjective qu\u2019objective, nous souhaitons souligner son importance dans la confection des objets vodou et leur aspect esth\u00e9tique.<\/p>

Ces objets inertes cachent une force vibratoire, un flux de communication entre l\u2019humanit\u00e9, les divinit\u00e9s et la nature. La puissance magique, malgr\u00e9 la beaut\u00e9 de l\u2019objet suivant le point de vue du regardeur, ne peut \u00eatre occult\u00e9e.
Faire appel \u00e0 l\u2019anthropologie permet \u00e9galement d\u2019apporter un \u00e9clairage pertinent sur la raison d\u2019\u00eatre de ces pi\u00e8ces \u00e0 travers l\u2019\u00e9tude de leur contexte g\u00e9ographique, sociologique et humain. Elle met en mots les croyances et leurs fondements, leurs \u00e9volutions, perce les secrets de la composition des objets, leurs symboles.<\/p>

Ce cheminement entre culture et m\u00e9moire, besoins du quotidien et plasticit\u00e9, flore et mat\u00e9riaux h\u00e9t\u00e9roclites, fonctionnalit\u00e9 et secrets, vous m\u00e8nera, nous l\u2019esp\u00e9rons, \u00e0 faire le plein d\u2019\u00e9motions et d\u2019exp\u00e9riences sensibles au c\u0153ur du tr\u00e9sor vodoun des arts sacr\u00e9s d\u2019Afrique<\/p>

Adeline Beck, administratrice<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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L\u2019\u00e9quipe de l\u2019exposition\u00a0<\/strong><\/p>


Commissaires : Ana Carolina Gonzalez Palacios, Adeline Beck et Marc Arbogast.
Pre\u0301sidence : Dominique Baudendistel.
Recherches scientifiques et re\u0301daction : Jean-Yves Ane\u0301zo, Katia-Myriam Borth-Arnold.
Sce\u0301nographie et Graphisme : Ana Carolina Gonzalez Palacios.
Traductions : Katia-Myriam Borth-Arnold, Michae\u0308l Mailfert.<\/p>


Photographies des objets de la collection : Pascal Beck
Photographies pre\u0301sente\u0301es dans l’exposition : Marc Arbogast, Adeline Beck.<\/p>


E\u0301quipe technique : Se\u0301bastien Furderer, Cle\u0301ment Levieux, No\u00e9 Meyer, Quentin, Pascal et Evelyne Beck, Alice Wach. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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VISITES GUIDEES DE L\u2019EXPOSITION TEMPORAIRE Suivez l\u2019un de nos guides au travers de l\u2019exposition \u00ab TR\u00c9SOR VODOUN, Au c\u0153ur des arts sacr\u00e9s d\u2019Afrique \u00bb pour […]<\/p>\n","protected":false},"author":3,"featured_media":12311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[16],"tags":[],"class_list":["post-12276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives"],"yoast_head":"\nVISITE GUIDEES DE L'EXPOSITION "TRESOR VODOUN" - 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